Love Exposure
A frenetic, four-hour punk-rock opera of love, sin, and faith, exploding with perverse energy and a raw, desperate search for connection in a broken world.
Love Exposure
Love Exposure

愛のむきだし

"Jesus, forgive these morons."

31 January 2009 Japan 237 min ⭐ 8.0 (485)
Director: Sion Sono
Cast: Takahiro Nishijima, Hikari Mitsushima, Sakura Ando, Makiko Watanabe, Atsuro Watabe
Drama Action Comedy Romance
Religion, Sin, and Guilt Love and Perversion Family Dysfunction and Trauma Identity and Disguise

Love Exposure - Movie Quotes

Memorable Quotes

I kept forcing sins out of myself like this. It felt like squeezing out the last bit of toothpaste.

— Yū Honda

Context:

This line is delivered via voice-over as Yu struggles to come up with sins to confess to his father, who relentlessly demands them daily in the confessional booth.

Meaning:

This quote perfectly encapsulates the absurdity and desperation of Yu's initial predicament. It highlights the artificiality of the sin he is forced to produce for his father's sake, framing it as a mundane, exhausting chore rather than a moral transgression. It speaks to the film's satirical take on religious guilt.

Jesus, I approve of you as the only cool man besides Kurt Cobain.

— Yōko Ozawa

Context:

Yoko says this early in the film, expressing her misandristic philosophy. It's a statement that defines her interactions and her initial rejection of Yu.

Meaning:

This quote establishes Yoko's character in a nutshell: her deep-seated hatred and distrust of men, born from trauma, is so profound that only two figures—one divine and selfless, the other a tragic rock icon—are exempt. It's a darkly humorous line that reveals her worldview and emotional defenses.

I'm a pervert but not a phony! I am a pervert with dignity.

— Yū Honda

Context:

Yu says this to defend his actions, distinguishing his 'art' of upskirt photography from base criminality or lewdness. It's a moment of bizarrely principled self-identification.

Meaning:

This declaration is a key part of Yu's self-acceptance. He embraces the label of 'pervert' that has been thrust upon him but redefines it on his own terms. For him, it's not about deceit or malice; it's a path he has chosen with a strange kind of integrity. It highlights the film's theme of finding authenticity in unconventional places.