A Short Film About Love
A hauntingly beautiful masterwork of voyeurism and longing, where a young man's distant obsession with an older woman transcends the glass separating them to become a profound meditation on the nature of intimacy and the pain of love.
A Short Film About Love
A Short Film About Love

Krótki film o miłości

21 August 1988 Poland 87 min ⭐ 7.8 (403)
Director: Krzysztof Kieślowski
Cast: Grażyna Szapołowska, Olaf Lubaszenko, Stefania Iwińska, Piotr Machalica, Artur Barciś
Drama Romance
Voyeurism as Connection Cynicism vs. Innocence Loneliness and Isolation The Nature of Love

A Short Film About Love - Symbolism & Philosophy

Symbols & Motifs

The Spilled Milk

Meaning:

It symbolizes raw emotional pain, the loss of control, and the shattering of domestic peace. It is the moment Tomek witnesses Magda's true vulnerability.

Context:

Magda spills milk while crying in her kitchen after a breakup. Tomek watches this through his telescope. Later, in the final scene, Magda reimagines this moment, visualizing Tomek comforting her.

The Telescope

Meaning:

A phallic symbol of distance and desire, but also a tool for emotional intimacy. It represents the barrier that protects Tomek while allowing him to be close.

Context:

Used by Tomek to watch Magda. In the end, Magda looks through it back at her own apartment, reversing the gaze and stepping into Tomek's perspective.

Glass and Windows

Meaning:

Barriers that separate people while allowing them to see one another. They represent the modern condition of being "together but apart."

Context:

Almost every interaction involves glass: the post office counter, the apartment windows, the telescope lens.

Philosophical Questions

Does love exist without sexuality?

The film juxtaposes Tomek's asexual, distant adoration with Magda's purely sexual encounters. It asks if love is a spiritual state that gets corrupted by physical consummation, or if the physical is the only reality.

Is voyeurism a violation or a form of care?

Kieślowski complicates the moral judgment of the "peeping tom." Tomek's watching is invasive, yet it is the only time Magda is truly "seen" and empathized with in her moments of private despair.

Core Meaning

A Short Film About Love explores the fragile boundary between voyeurism and intimacy, challenging the cynical belief that love is merely a biological drive. Kieślowski posits that the act of "looking" can be a form of love in itself—a pure, unselfish acknowledgement of another's existence.

The film argues that true connection requires vulnerability. Tomek's innocent, distant gaze is contrasted with Magda's physical but emotionally hollow relationships. Ultimately, the story reveals that love is not about possession or sexual conquest, but about the shared pain and empathy that arises when two lonely souls finally see each other.