Don't Blame the Kid
A vibrant romantic comedy that clashes Mexico's social classes through an accidental pregnancy. Beneath the laughter lies a poignant story about unconditional love, shedding prejudice, and the realization that family is defined by commitment, not just biology.
Don't Blame the Kid
Don't Blame the Kid

¿Qué culpa tiene el niño?

"There are hangovers that last 9 months."

13 May 2016 Mexico 113 min ⭐ 7.7 (657)
Director: Gustavo Loza
Cast: Karla Souza, Ricardo Abarca, Biassini Segura, Gerardo Taracena, Sofía Sisniega
Comedy Romance
Classism and Social Prejudice Unconditional Love and Fatherhood Political Corruption and Hypocrisy Maturity and Responsibility

Don't Blame the Kid - Ending Explained

⚠️ Spoiler Analysis

The central twist occurs at the very end of the film during the birth of the baby. Throughout the movie, the audience is led to believe the child is Renato's. However, when the baby is born, he is clearly of Asian descent.

This reveals that during the drunken blackout at the wedding, Maru slept with a Chinese guest (seen briefly in flashbacks), not Renato. Despite this revelation, Renato recalls his bond with the unborn child and Maru. He chooses to stay and raise the child as his own, proving his love is unconditional. The film ends with a video Renato makes for his son, jokingly preparing him for the bullying he might face for looking different, affirming they are a family regardless of DNA.

Alternative Interpretations

The Cynical Reading: Some critics interpret the film not as a romance, but as a satire of the Mexican elite's desperation to maintain appearances. In this view, Renato is a pawn used by Maru's family to cover up a scandal, and his "reward" is being allowed into their circle only because he accepts a lie.

The Feminist Reading: Maru's character can be seen as reclaiming agency. Despite the pressure to abort or marry her ex, she chooses a third path—co-parenting with a man she initially dislikes but who respects her. However, the ending where she stays with Renato can be critiqued as her settling for the 'safe' option demanded by patriarchy.