Evangelion: 2.0 You Can (Not) Advance
A visceral mecha-opera where high-octane spectacle collides with fragile adolescent hearts. Vibrant rays of hope pierce through a crimson apocalypse, painting a cinematic portrait of a boy choosing connection over a world of safe isolation.
Evangelion: 2.0 You Can (Not) Advance
Evangelion: 2.0 You Can (Not) Advance

ヱヴァンゲリヲン新劇場版:破

"In the War Between Heaven and Earth, Salvation is Machine."

26 June 2009 Japan 112 min ⭐ 7.8 (950)
Director: Masayuki Kazuya Tsurumaki Hideaki Anno
Cast: Megumi Ogata, Megumi Hayashibara, Yuko Miyamura, Maaya Sakamoto, Kotono Mitsuishi
Drama Animation Action Science Fiction
The Price of Individual Desire Escaping the Loop of Isolation The Deconstruction of the 'Hero' Archetype Technology as a Curse and a Tool
Budget: $10,000,000
Box Office: $44,339,362

Evangelion: 2.0 You Can (Not) Advance - Ending Explained

⚠️ Spoiler Analysis

The film's third act is a series of escalating tragedies and revelations. It begins with the arrival of Eva Unit-03, which is possessed by the Ninth Angel. In a departure from the original series where Toji Suzuhara was the pilot, here it is Asuka. Shinji refuses to fight, leading Gendo to activate the Dummy System, which causes Unit-01 to brutally dismantle Unit-03 and crush Asuka's cockpit. Shinji, traumatized, quits NERV, only for the Tenth Angel to attack. After Mari and Rei fail to stop it, Shinji returns to save Rei, who has been consumed by the Angel. In his rage, Shinji forces Unit-01 to transcend human limits, turning into a god-like being. He successfully pulls Rei from the Angel's core, but this act of divine power triggers Near-Third Impact. The world is only saved at the last second when Kaworu Nagisa descends from the moon in Mark.06 and impales Unit-01 with the Spear of Cassius, halting the apocalypse but leaving the world in ruins.

Alternative Interpretations

The most prominent alternative interpretation is the Sequel Theory, which posits that the Rebuild films are not a remake, but a literal continuation of the original series following a universal reset. Evidence for this includes the red seas and Kaworu's cryptic dialogue about "this time." Another interpretation suggests that the film is a meta-commentary on the anime industry; Mari represents the "new" fan or a disruptive outside force intended to break the repetitive cycles of the industry, while Shinji's destructive apotheosis represents the dangers of fan entitlement and the desire for a "perfect" escapist ending.