The film subverts the expectation of a tragic ending common in queer cinema. After Gheorghe leaves due to Johnny's drunken relapse, the narrative teeters on tragedy. However, Johnny breaks his pattern of passivity. He reconciles with his father, who gives him tacit permission to run the farm his way. Johnny travels to Scotland to find Gheorghe working at a potato farm.
In a reversal of roles, Johnny becomes the vulnerable one, admitting he is a 'fuck up' and asking Gheorghe to return—not just as a worker, but as a partner. The film ends with Gheorghe's caravan being towed away, signifying he is moving into the main house. They are shown working the farm together, united. The final shots imply a hard life, but one faced together, offering a powerful message of redemption and domestic stability.