La Notte
A melancholic and visually stark elegy on emotional detachment, where the stark architecture of Milan mirrors the crumbling façade of a marriage lost in a long, silent night.
La Notte
La Notte

La notte

"A new genre of motion picture... to make you think and feel."

24 January 1961 Italy 122 min ⭐ 8.0 (709)
Director: Michelangelo Antonioni
Cast: Marcello Mastroianni, Jeanne Moreau, Monica Vitti, Bernhard Wicki, Rosy Mazzacurati
Drama Romance
Alienation and Incommunicability The Decay of Love and Marriage Existential Ennui and Spiritual Emptiness Modernity and its Discontents

La Notte - Characters & Cast

Character Analysis

Giovanni Pontano

Marcello Mastroianni

Archetype: The Disillusioned Antihero
Key Trait: Passive and Detached

Motivation

His primary motivation is to escape his existential boredom and creative impotence. He seeks validation and distraction through fleeting flirtations and the prospect of a lucrative but soul-crushing job, all while avoiding direct confrontation with his marital failure.

Character Arc

Giovanni begins the film as a celebrated but spiritually adrift writer. Throughout the night, his detachment and casual infidelity reveal a deep-seated crisis of meaning. He moves from a state of passive dissatisfaction to a desperate, last-ditch attempt to reclaim a love he no longer recognizes, ending in a state of pathetic uncertainty.

Lidia Pontano

Jeanne Moreau

Archetype: The Observer
Key Trait: Melancholic and Introspective

Motivation

Lidia is motivated by a desperate need to feel something real and to understand how her life and marriage have arrived at this empty place. She revisits the past and observes the present, searching for a sign of life or a reason to continue.

Character Arc

Lidia is the film's emotional core. Initially presented as Giovanni's quiet, embittered wife, her long, solitary walk through Milan reveals her inner turmoil and search for meaning. She moves from silent suffering and resignation to a painful, clear-eyed articulation of the death of her love, confronting the truth that Giovanni tries to evade.

Valentina Gherardini

Monica Vitti

Archetype: The Catalyst
Key Trait: Enigmatic and Perceptive

Motivation

Valentina is motivated by a desire for authenticity in a world of artifice. She engages in playful games and intellectual conversation but is ultimately searching for genuine connection, which she senses is absent in Giovanni.

Character Arc

Valentina is the intelligent, alluring, and equally disillusioned daughter of the wealthy host. She enters the narrative as a potential object of Giovanni's desire but reveals her own depth and weariness with the superficial world she inhabits. She acts as a mirror to both Giovanni and Lidia, ultimately rejecting the meaningless affair Giovanni proposes and showing solidarity with Lidia.

Tommaso Garani

Bernhard Wicki

Archetype: The Memento Mori
Key Trait: Dying and Conscientious

Motivation

His motivation in his final moments is to connect honestly with his friends, praising Giovanni's work while being acutely aware of his own mortality. He represents a past where things, including love and friendship, had more meaning.

Character Arc

Tommaso's presence is brief but his arc is central to the film's theme. He is a man of integrity and a dear friend from the couple's past who is now facing death. His physical decline parallels the emotional death of the central relationship, and his passing serves as the final catalyst for Lidia's emotional breakdown.

Cast

Marcello Mastroianni as Giovanni Pontano
Jeanne Moreau as Lidia
Monica Vitti as Valentina Gherardini
Bernhard Wicki as Tommaso Garani
Rosy Mazzacurati as Rosy
Maria Pia Luzi as Un'invitata
Guido A. Marsan as Fanti
Vittorio Bertolini
Vincenzo Corbella as Mr. Gherardini
Ugo Fortunati as Cesarino
Gitt Magrini as Signora Gherardini
Giorgio Negro as Roberto
Roberta Speroni as Beatrice
Umberto Eco as Man at the Party (uncredited)