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Requiem for a Dream
A hallucinatory descent through one Brooklyn summer, where four hungry dreams curdle into winter: pupils blooming wide, a red dress hanging in a closet, and a television that never stops promising.
Requiem for a Dream
Requiem for a Dream
06 October 2000 United States of America 102 min 8.0 (10,514)

Director: Darren Aronofsky

Cast: Ellen Burstyn, Jared Leto, Jennifer Connelly, Marlon Wayans, Christopher McDonald

Drama Crime Addiction as appetite, not vice The corrupted American Dream Loneliness and the hunger to be seen The body as collateral Motherhood, inheritance and love that cannot land
Budget: $4,500,000
Box Office: $7,390,108

Requiem for a Dream — Movie Quotes

Memorable Quotes

I'm somebody now, Harry. Everybody likes me. Soon, millions of people will see me and they'll all like me.
— Sara Goldfarb

Context

Spoken in her apartment during the film's central mother-and-son conversation, as Harry — himself an addict — confronts her about the amphetamines and finds he has no argument that touches the reason she takes them.

Meaning

The thesis of the entire film in three sentences: existence confused with visibility, and love confused with being liked by strangers. It is also the moment Harry realizes his mother's problem is not the pills but the emptiness the pills are filling.

I like the way I feel. I like thinking about the red dress and the television and you and your father.
— Sara Goldfarb

Context

Part of the same kitchen-table monologue, delivered after she explains that she is old and alone and that no one needs her anymore.

Meaning

A defense of her habit that is really a confession of loneliness. She is not describing a high but a reason to be alive, which is why nothing Harry says can reach her.

Be excited! Be, be excited!
— Tappy Tibbons

Context

Bellowed from the television screen during Sara's program and reprised inside her hallucinations, where the studio audience's applause becomes the soundtrack of her breakdown.

Meaning

The film's satire of motivational culture distilled into a chant — enthusiasm as a product, sold to people whose lives supply no reason for it. The self-help gospel and the dealer's pitch use the same cadence.

Purple in the morning, blue in the afternoon, orange in the evening, and green at night.
— Sara Goldfarb

Context

Sara cheerfully explains her diet-doctor regimen to Harry, mistaking his alarm for interest, in the scene where the two addictions in the film are laid side by side.

Meaning

Domestic addiction described in the language of a recipe. The color-coded schedule sounds like harmless housekeeping, which is exactly the point: her dependency comes with a doctor's authority and a pretty palette.

You're the most beautiful girl in the world. You're my dream.
— Harry Goldfarb

Context

Said to Marion in bed early in the film, during the split-screen intimacy sequence that shows two people together in the frame and already divided by a line down the middle of it.

Meaning

The film's tenderest line and its title's meaning made literal: Marion is the dream that will be mourned. Harry can name what he loves precisely and still cannot protect it.

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