Some Like It Hot
A jazz-infused screwball comedy that pirouettes on the high heels of deception, sparking with the effervescent thrill of forbidden romance and the constant threat of gangster peril.
Some Like It Hot
Some Like It Hot

"The movie too HOT for words!"

19 March 1959 United States of America 122 min ⭐ 8.1 (3,683)
Director: Billy Wilder
Cast: Tony Curtis, Jack Lemmon, Marilyn Monroe, George Raft, Pat O'Brien
Crime Comedy Romance
Gender Identity and Performance Deception and Masquerade Love and Acceptance Social Class and the Pursuit of Wealth
Budget: $2,883,848
Box Office: $25,000,000

Some Like It Hot - Characters & Cast

Character Analysis

Joe / Josephine / 'Junior'

Tony Curtis

Archetype: The Trickster / Reformed Antihero
Key Trait: Cunning

Motivation

Initially, his motivation is survival—escaping the mob. This quickly shifts to seducing Sugar Kane. He is driven by his libido and a desire to win, using deception as his primary tool to get what he wants.

Character Arc

Joe begins as a cynical, manipulative womanizer and gambler. His primary motivation is self-preservation, which leads him to don the disguise of Josephine. However, his desire for Sugar prompts him to create another, more deceptive persona: the millionaire 'Junior'. Initially, this is just another conquest, but as he gets to know Sugar through both his female and male disguises, he develops genuine feelings and a conscience. His arc is one of transformation; by pretending to be a woman and a better man, he ultimately becomes one, confessing his deception and choosing love over manipulation.

Jerry / Daphne

Jack Lemmon

Archetype: The Fool / The Innocent
Key Trait: Excitable

Motivation

Like Joe, Jerry is first motivated by survival. However, his motivations become more complex as Daphne. He gets caught up in the thrill of being pursued by a wealthy man and the promise of "security," to the point where he momentarily forgets the logistical impossibility of his engagement.

Character Arc

Jerry starts as the more anxious and pragmatic of the two musicians, constantly worrying about their predicament. His transformation into Daphne is initially a source of comic panic. However, unlike Joe, Jerry begins to embrace his feminine side. He enjoys the camaraderie with the other women and gets swept up in the whirlwind romance with Osgood Fielding III. His enthusiastic acceptance of his engagement to Osgood signifies a genuine, if comedic, blurring of his own identity. His arc is one of liberation; he discovers a new, freeing side to himself through the disguise, finding unexpected joy and security as Daphne.

Sugar Kane Kowalczyk

Marilyn Monroe

Archetype: The Damsel in Distress / The Ingénue
Key Trait: Vulnerable

Motivation

Sugar is motivated by a deep desire for love, stability, and financial security. She wants to escape her past heartbreaks and find a man who will treat her well, which makes her susceptible to Joe's elaborate ruse.

Character Arc

Sugar is presented as a sweet but naive band singer who is tired of being taken advantage of by men, particularly saxophone players. Her goal is to find a kind, bespectacled millionaire in Florida and settle down. She falls for Joe's "Junior" persona, believing she has finally found her ideal man. Her arc is less about transformation and more about finding genuine love amidst deception. Despite being repeatedly fooled, her inherent trust and romanticism are ultimately rewarded when she accepts Joe for who he truly is, choosing the man over the millionaire fantasy.

Osgood Fielding III

Joe E. Brown

Archetype: The Eccentric Mentor
Key Trait: Persistent

Motivation

His motivation is simple and direct: he is infatuated with Daphne and wants to marry her. He is driven by romantic pursuit and seems to genuinely enjoy the chase.

Character Arc

Osgood is an aging, multi-divorcee millionaire who is immediately smitten with Daphne. He is portrayed as a persistent, slightly silly, but ultimately harmless playboy. He remains steadfast in his pursuit of Daphne, unfazed by her constant rejections. His character does not have a significant arc but serves a crucial thematic purpose. His final line, accepting Daphne's revelation of being a man, reveals a surprisingly profound and open-minded perspective on love, making him a figure of ultimate acceptance.

Cast

Tony Curtis as Joe (Josephine)
Jack Lemmon as Jerry (Daphne)
Marilyn Monroe as Sugar Kane Kowalczyk
George Raft as Spats Colombo
Pat O'Brien as Detective Mulligan
Joe E. Brown as Osgood Fielding III
Nehemiah Persoff as Little Bonaparte
Joan Shawlee as Sweet Sue
Billy Gray as Sig Poliakoff
George E. Stone as Toothpick Charlie
Dave Barry as Beinstock
Mike Mazurki as Spats' Henchman
Harry Wilson as Spats' Henchman
Beverly Wills as Dolores
Barbara Drew as Nellie