The Third Man
A noir-drenched descent into post-war Vienna's shadowy heart, where loyalty corrodes and innocence is a ghost haunting the cobblestone streets.
The Third Man
The Third Man

"Hunted by men ... Sought by WOMEN!"

31 August 1949 United Kingdom 105 min ⭐ 7.9 (2,003)
Director: Carol Reed
Cast: Joseph Cotten, Alida Valli, Trevor Howard, Orson Welles, Paul Hörbiger
Thriller Mystery
Moral Ambiguity Disillusionment and Loss of Innocence Friendship and Betrayal The Corrupting Influence of Post-War Chaos
Box Office: $1,226,098

The Third Man - Characters & Cast

Character Analysis

Holly Martins

Joseph Cotten

Archetype: The Naive Hero
Key Trait: Idealistic

Motivation

Initially, Holly is motivated by a fierce loyalty to his childhood friend, Harry Lime, and a desire to clear his name. After witnessing the devastating consequences of Harry's crimes—specifically the sick children in the hospital—his motivation shifts to a sense of moral duty to stop him.

Character Arc

Holly begins as a naive and somewhat bumbling writer of cheap Westerns, possessing a black-and-white view of morality and an unwavering loyalty to his friend. As he is drawn deeper into Vienna's corrupt underworld, his idealism is shattered by the monstrous truth about Harry. He undergoes a significant transformation, forced to abandon his simplistic worldview and make a difficult moral choice, ultimately choosing to betray his friend and kill him. He ends the film a disillusioned and solitary figure.

Harry Lime

Orson Welles

Archetype: The Charismatic Villain / Anti-hero
Key Trait: Amoral

Motivation

Harry's motivations are purely self-interest, profit, and survival. He operates on a sociopathic level of detachment, viewing other people as insignificant "dots" whose lives are expendable for his own gain. As he tells Holly, he doesn't believe in the morality of governments or individuals, only in his own five-year plans.

Character Arc

Harry Lime has no developmental arc within the film; he is an unchanging force of charming amorality. He is revealed to have faked his own death to continue his black-market racketeering, specifically selling diluted penicillin which has caused the deaths of many, including children. Despite his monstrous actions, he remains witty, charismatic, and convinced of his own worldview. His character is fully formed and static, serving as the catalyst for Holly's transformation. He ends as he lived: a self-serving criminal who is ultimately cornered and killed.

Anna Schmidt

Alida Valli

Archetype: The Loyal Lover / Femme Fatale (subverted)
Key Trait: Loyal

Motivation

Anna's primary motivation is her deep and abiding love for Harry Lime. This love is the anchor of her existence in the chaotic world of post-war Vienna. She is also motivated by self-preservation, as she is a Czechoslovakian refugee with forged papers, making her vulnerable to deportation by the occupying forces.

Character Arc

Anna's arc is one of tragic, unwavering loyalty. She remains devoted to Harry Lime, even after learning the full extent of his crimes. She refuses to betray him and cannot transfer her affections to the more morally upright Holly. Her character defies the typical femme fatale archetype; she is not manipulative but rather steadfast in her love, however misplaced. The film ends with her pointedly ignoring Holly, demonstrating that her loyalty to Harry transcends even his death, leaving her isolated in her grief.

Major Calloway

Trevor Howard

Archetype: The Mentor / Pragmatist
Key Trait: Cynical

Motivation

Calloway is motivated by his duty as a police officer and a desire to bring a dangerous criminal, Harry Lime, to justice. He is driven by a professional, unemotional sense of right and wrong, and he wants to stop the suffering caused by Lime's penicillin racket.

Character Arc

Major Calloway is a cynical but professional British military police officer. He acts as a foil and a reluctant mentor to the naive Holly Martins. Initially, he is dismissive of Holly, seeing him as a nuisance. However, as Holly becomes more entangled in the case, Calloway develops a grudging respect for him. He represents the pragmatic, weary, but ultimately principled authority trying to impose order on a chaotic world. His character remains largely consistent, serving as the voice of harsh reality that guides Holly toward his difficult decision.

Cast

Joseph Cotten as Holly Martins
Alida Valli as Anna Schmidt
Trevor Howard as Major Calloway
Orson Welles as Harry Lime
Paul Hörbiger as Karl the Porter
Ernst Deutsch as 'Baron' Kurtz
Erich Ponto as Dr. Winkel
Siegfried Breuer as Popescu
Hedwig Bleibtreu as Anna's Landlady
Bernard Lee as Sergeant Paine
Wilfrid Hyde-White as Crabbin
Alexis Chesnakov as Col. Brodsky the Russian Liaison Officer (uncredited)
Thomas Gallagher as Taxi Driver (uncredited)
Herbert Halbik as Hänsel the Little Boy with Ball (uncredited)
Hannah Norbert as Actress at Josefstadt Theater (uncredited)