Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
A darkly comedic ballet of mutually assured destruction, where Cold War paranoia waltzes with absurd incompetence towards a blinding, inevitable atomic finale.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

"The hot-line suspense comedy."

29 January 1964 United Kingdom 95 min ⭐ 8.1 (5,899)
Director: Stanley Kubrick
Cast: Peter Sellers, George C. Scott, Sterling Hayden, Keenan Wynn, Slim Pickens
War Comedy
The Absurdity of War and Deterrence Human Fallibility and Technological Overreach Sex and Death Critique of the Military-Industrial Complex
Budget: $1,800,000
Box Office: $9,500,000

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb - Easter Eggs & Hidden Details

Easter Eggs

The CRM 114 Discriminator, the radio device on the B-52 that prevents them from receiving the recall code, is a recurring element in Kubrick's films.

The alphanumeric code 'CRM-114' appears in other Stanley Kubrick films. For instance, in '2001: A Space Odyssey,' it is the name of a key component of the Jupiter spacecraft, and in 'A Clockwork Orange,' it's the name of a serum. This serves as a subtle signature from the director across his filmography.

The centerfold in the Playboy magazine that Major Kong is reading features actress Tracy Reed, who plays General Turgidson's secretary, Miss Scott.

This is a subtle inside joke that connects the world of the bomber crew with the high-level officials in the Pentagon, reinforcing the film's theme of the pervasive and often distracting influence of sexuality even in the face of nuclear war.

Many of the characters' names are sexually suggestive or have hidden meanings.

For example, 'Mandrake' is a root once thought to promote male fertility, 'Jack D. Ripper' is a clear reference to a famous killer, 'Buck Turgidson' suggests a virile and swollen persona, and 'Merkin Muffley' refers to a pubic wig. This naming convention reinforces the film's subtext about the link between sexual anxieties and military aggression.