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In the House
A razor-sharp, voyeuristic psychological dramedy steeped in intellectual seduction and creeping dread, where storytelling becomes a Trojan horse dismantling the pristine glass walls of bourgeois domesticity.
In the House
In the House

Dans la maison

"There’s always a way to get in."

26 September 2012 France 105 min 7.2 (922)

Director: François Ozon

Cast: Fabrice Luchini, Ernst Umhauer, Kristin Scott Thomas, Emmanuelle Seigner, Bastien Ughetto

Drama Thriller Comedy Mystery Voyeurism and the Parasitic Ethics of Art The Blurring Boundary Between Fiction and Reality Class Resentment and Bourgeois Deconstruction Pedagogy, Mentorship, and Surrogate Kinship
Box Office: $11,879,046

In the House — Movie Quotes

Memorable Quotes

Claude a le don d'écrire... Il a cette odeur si singulière des femmes de la classe moyenne.
— Germain

Context

Germain discovers and reads Claude’s first assignment.

Meaning

This sentence hooks Germain immediately, demonstrating Claude’s acute, sensual, and contemptuous observation of Esther Artole.

À suivre...
— Claude Garcia

Context

Written at the conclusion of his texts.

Meaning

The cliffhanger formula used at the end of every installment, turning high school homework into an addictive psychological serial.

J'ai passé l'été à lire Schopenhauer.
— Germain Germain

Context

Delivered at the teacher's meeting on the first day of school.

Meaning

It establishes Germain's deep cynicism, pessimism, and intellectual elitism before encountering Claude.

Le lecteur exigeant veut une fin inévitable et pourtant imprévisible.
— Germain Germain

Context

Germain lectures Claude on narrative theory.

Meaning

This statement doubles as the meta-rule for Ozon's film, foreshadowing that the climax will fulfill both conditions.

Il n'y a pas de maison fermée. Il y a toujours un moyen d'entrer.
— Germain (to Claude) / Claude

Context

Concluding lines of the film as both sit on a park bench observing a multi-story apartment complex.

Meaning

It reinforces the inescapable impulse to peer into and construct narratives out of private lives.

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