Raging Bull
A brutal black-and-white ballet of savage self-destruction, this biographical drama charts a boxer's inner turmoil mirrored by the visceral punishment within the ring.
Raging Bull
Raging Bull

"I don’t go down for nobody."

14 November 1980 United States of America 129 min ⭐ 7.9 (4,541)
Director: Martin Scorsese
Cast: Robert De Niro, Cathy Moriarty, Joe Pesci, Frank Vincent, Nicholas Colasanto
Drama
Self-Destruction and Masochism Jealousy and Sexual Insecurity Toxic Masculinity and Violence Alienation and Redemption
Budget: $18,000,000
Box Office: $23,380,203

Raging Bull - Ending Explained

⚠️ Spoiler Analysis

"Raging Bull" traces the complete arc of Jake LaMotta's rise and fall, culminating in his utter alienation. After winning the middleweight championship, his paranoia spirals out of control. Convinced his wife Vickie is having an affair with his brother Joey, he confronts Joey and beats him savagely in front of Joey's family, destroying their relationship forever. This is the film's central tragedy and the point of no return.

Jake's career subsequently collapses. He intentionally throws a fight as part of a deal with the mob, a decision that haunts him. He eventually loses his championship belt to Sugar Ray Robinson in a horrifically bloody match where he refuses to be knocked down, defiantly telling Robinson, "You never got me down." After retiring, Jake's weight balloons, and he opens a nightclub in Florida. His marriage to Vickie disintegrates, and she leaves him, taking their children. His downfall is cemented when he is arrested and jailed for serving alcohol to minors. It is in his squalid jail cell that he has a complete breakdown, pounding the stone walls and screaming, "I'm not an animal." This moment is his rock bottom, a raw confrontation with his own dehumanization.

The film's ending jumps forward to 1964. A heavy, older Jake is a small-time nightclub comic. In the final scene, he prepares backstage, looking at his own reflection in a mirror. He shadowboxes gently and then recites the famous "I coulda been a contender" speech from "On the Waterfront." The hidden meaning here is ambiguous. On one hand, it's a moment of profound self-realization, as he uses another character's words to finally articulate his own sense of loss and wasted life. On the other, the line itself is about blaming a brother for one's failures, suggesting he may not have fully accepted his own culpability. The film closes with a dedication from Scorsese to his film professor, who taught him to see, implying the film is a deeply personal expression of confronting one's own demons through art.

Alternative Interpretations

While the dominant reading of "Raging Bull" focuses on self-destruction, there are alternative ways to interpret the film, particularly its ending. One perspective views the ending not as a moment of redemption, but as one of profound damnation and delusion. In this reading, when Jake recites the "I coulda been a contender" speech, he is not achieving self-awareness but rather deflecting blame. The original line from "On the Waterfront" is about blaming one's brother for a ruined career. By reciting it, Jake may be subtly shifting responsibility for his downfall, demonstrating that he hasn't truly changed and is still trapped in denial.

Another interpretation frames the film through a spiritual or religious lens, a common element in Scorsese's work. The boxing ring becomes an altar, and Jake's suffering is a form of penance. The final fight with Sugar Ray Robinson, where Jake takes an immense beating on the ropes in a crucifix-like pose as blood splatters the crowd like holy water, can be seen as a ritual of sacrificial suffering. His time in jail, where he pounds the walls and cries "I'm not an animal," is his dark night of the soul. From this perspective, his final, quiet recitation in the mirror is a form of prayer or confession, a man who has passed through the inferno and found a quiet, albeit broken, state of grace.