Taxi Driver
A neo-noir psychological drama that descends into the grim poetry of urban decay, capturing a lonely soul's violent unraveling amidst the neon-lit abyss of 1970s New York City.
Taxi Driver
Taxi Driver

"On every street in every city in this country, there's a nobody who dreams of being a somebody. He's a lonely forgotten man desperate to prove that he's alive."

09 February 1976 United States of America 114 min ⭐ 8.1 (12,905)
Director: Martin Scorsese
Cast: Robert De Niro, Jodie Foster, Cybill Shepherd, Harvey Keitel, Peter Boyle
Drama Crime
Alienation and Loneliness Violence and Masculinity Urban Decay and Moral Corruption The Ambiguity of Heroism
Budget: $1,900,000
Box Office: $28,579,636

Taxi Driver - Characters & Cast

Character Analysis

Travis Bickle

Robert De Niro

Archetype: Antihero / Vigilante
Key Trait: Alienated

Motivation

Travis is motivated by a desperate search for purpose and connection in a world that he perceives as morally bankrupt. His primary drive is to cleanse the "filth" of the city and to find a way to matter. This manifests as a distorted desire to save women—first Betsy, then Iris—whom he places on pedestals of purity, seeing their rescue as his mission and a path to his own redemption.

Character Arc

Travis begins as a deeply lonely and alienated Vietnam veteran struggling with insomnia and disgust for the society around him. His attempts at normal interaction fail, leading to a psychological decline into paranoia and obsession. He transforms from a passive observer into an active, violent agent, channeling his rage first towards a political assassination and then into a misguided "rescue" mission. By the end, he is ironically hailed as a hero, but a final glance in his rearview mirror suggests the rage and instability still simmer beneath the surface, implying his violent potential remains.

Iris 'Easy' Steensma

Jodie Foster

Archetype: Damsel in Distress / Femme Fatale Child
Key Trait: Vulnerable

Motivation

Iris's motivations are complex and contradictory. She is driven by a need for affection and a sense of belonging, which she finds in a twisted form with Sport. While part of her may desire a different life, she is also manipulated and perhaps genuinely cares for her pimp. She is motivated by survival and the distorted version of love she has come to accept.

Character Arc

Iris is introduced as a 12-year-old child prostitute, seemingly a victim of her circumstances. Initially, she appears to want to escape her life, but it's revealed she has a complicated, almost Stockholm Syndrome-like attachment to her pimp, Sport. She resists Travis's attempts to "save" her, showing a world-weariness and maturity beyond her years. After Travis's violent intervention, she is returned to her parents, as described in a letter read at the end of the film. Her ultimate fate remains ambiguous, but she is the catalyst for Travis's violent climax and subsequent public redemption.

Betsy

Cybill Shepherd

Archetype: The Ideal / The Madonna
Key Trait: Idealized

Motivation

Betsy is motivated by her political ideals and a desire for a conventional, successful life. She is initially drawn to Travis out of a fascination with his strangeness, perhaps seeing him as an interesting diversion from her clean-cut world. Ultimately, her motivations are driven by social convention and self-preservation, leading her to quickly distance herself from Travis's disturbing behavior.

Character Arc

Betsy is initially presented as an angelic, almost unattainable figure of purity and intelligence, working for the Palantine presidential campaign. Travis projects all his ideals onto her. She is intrigued by his intensity and agrees to a date but is quickly repulsed by his disturbed nature when he takes her to a porn theater. Her arc is one of disillusionment with Travis; she rejects him completely, which serves as a major catalyst for his mental breakdown. In the film's epilogue, her perception of him has shifted due to his media-bestowed hero status, and she now seems to view him with a mixture of awe and curiosity.

Matthew 'Sport'

Harvey Keitel

Archetype: The Villain / The Pimp
Key Trait: Manipulative

Motivation

Sport is motivated by money and control. He sees Iris as both a source of income and a possession. His actions are driven by a need to maintain his authority and lifestyle, using a veneer of charm and affection to keep Iris dependent on him. He is a product of the corrupt urban environment that Travis despises.

Character Arc

Sport is Iris's pimp and the primary antagonist in Travis's self-constructed narrative. He is presented as a manipulative and slick predator who exploits Iris. He maintains control over her not just through force but through a twisted form of affection and psychological manipulation. His arc is short and brutal; he is the main target of Travis's violent rampage and is killed in the climactic shootout. He represents the "scum" that Travis is determined to eradicate.

Cast

Robert De Niro as Travis Bickle
Jodie Foster as Iris
Cybill Shepherd as Betsy
Harvey Keitel as Sport
Peter Boyle as Wizard
Leonard Harris as Charles Palantine
Albert Brooks as Tom
Diahnne Abbott as Concession Girl
Frank Adu as Angry Black Man
Victor Argo as Melio
Gino Ardito as Policeman at Rally
Garth Avery as Iris' Friend
Harry Cohn as Cabbie in Bellmore
Cooper Cunningham as Hooker in Cab
Brenda Dickson as Soap Opera Woman