The Godfather
A sweeping crime epic of operatic grandeur, where the seduction of power casts a chiaroscuro shadow over the sanctity of family.
The Godfather
The Godfather

"An offer you can't refuse."

14 March 1972 United States of America 175 min ⭐ 8.7 (21,890)
Director: Francis Ford Coppola
Cast: Marlon Brando, Al Pacino, James Caan, Robert Duvall, Richard S. Castellano
Drama Crime
The Corruption of the American Dream Family vs. Business Power and Its Corrupting Influence Loyalty and Betrayal
Budget: $6,000,000
Box Office: $245,066,411

The Godfather - Movie Quotes

Memorable Quotes

I'm gonna make him an offer he can't refuse.

— Don Vito Corleone

Context:

Vito says this to his godson, singer Johnny Fontane, assuring him he will get a coveted movie role. The studio head, Jack Woltz, has refused to cast Fontane. Vito's 'offer' ultimately involves placing the severed head of Woltz's prized horse in his bed.

Meaning:

This iconic line encapsulates the very nature of Don Corleone's power. It is a veiled threat presented as a reasonable proposition. The 'offer' is one that cannot be refused because the alternative is violence or death. It perfectly illustrates how the Corleone family blends the language of business with the reality of brutal coercion. The American Film Institute ranked it as the second-greatest movie quote of all time.

Leave the gun. Take the cannoli.

— Peter Clemenza

Context:

After carrying out a hit on the traitorous driver Paulie Gatto, Clemenza instructs his associate Rocco to leave the murder weapon but to remember the box of cannoli that his wife had asked him to bring home.

Meaning:

This line, improvised by actor Richard S. Castellano, is famous for its brilliant juxtaposition of the mundane and the horrific. It demonstrates how violence has become a routine, almost trivial, part of the characters' lives. The casual instruction to remember the dessert after committing a murder highlights the cold professionalism and the disconnect from the brutality of their actions.

It's not personal, Sonny. It's strictly business.

— Michael Corleone

Context:

Michael says this to a hot-headed Sonny while explaining his plan to murder Virgil Sollozzo and the corrupt police Captain McCluskey. Sonny is driven by personal vengeance for the attempt on his father's life, but Michael frames the act as a necessary strategic move.

Meaning:

This quote represents the cold, pragmatic philosophy that Michael adopts to justify his violent actions. It's a mantra he uses to separate his emotions from the ruthless decisions required by the "family business." It marks a pivotal moment in his transformation, showing his shift from a passionate individual to a calculated strategist, and it becomes a recurring theme as his actions grow increasingly personal and destructive.

A man who doesn't spend time with his family can never be a real man.

— Don Vito Corleone

Context:

Vito delivers this line to Johnny Fontane, chiding him for his womanizing and neglecting his own family while asking the Don for favors. It underscores Vito's traditional values, which exist in stark contrast to his criminal activities.

Meaning:

This quote reveals the central paradox of Vito's character and the film's themes. He espouses the supreme importance of family, yet his life as a crime boss often brings violence and tragedy to that very family. It reflects the idealized version of the patriarchal role that the characters strive for, even as their actions undermine it.

Don't ever take sides with anyone against the Family again. Ever.

— Michael Corleone

Context:

Michael says this to his brother Fredo after discovering that Fredo, out of weakness and resentment, had unknowingly provided information to his enemies. It's a moment that irrevocably damages their relationship and establishes a new, colder hierarchy within the family.

Meaning:

This chilling line, delivered with quiet intensity, demonstrates Michael's complete assumption of power and the unforgiving nature of his rule. It establishes the absolute, paramount importance of loyalty to the family above all else, including sibling bonds. It's a clear threat that foreshadows the tragic events of the sequel.