Skip to content
The Good, the Bad, the Weird
A sun-scorched Korean western where greed gallops across the Manchurian dunes: three outlaws, one map, and a horizon of dust, bullets and laughter that keeps outrunning them.
The Good, the Bad, the Weird
The Good, the Bad, the Weird

좋은 놈, 나쁜 놈, 이상한 놈

"One map. Three villains. Winner takes all."

16 July 2008 South Korea 130 min 7.2 (844)

Director: Kim Jee-woon

Cast: Song Kang-ho, Lee Byung-hun, Jung Woo-sung, Yoon Je-moon, Ryu Seung-su

Action Comedy Adventure Western Greed and the emptiness of the prize Identity, reinvention and the past that follows you Colonial displacement and the stateless frontier Moral labels versus moral reality Genre as play — cinema chasing cinema
Budget: $10,000,000

The Good, the Bad, the Weird — Movie Quotes

Memorable Quotes

If you chase somethin' to get somethin', somethin' else will come chasing you. Life is about chasing and being chased. There is no escape.
— Park Do-won (The Good)

Context

Spoken in Do-won's characteristically unhurried register, it functions as the fatalistic frame around the entire desert chase that dominates the film's second half.

Meaning

The film's central philosophy compressed into three sentences. It reframes the treasure hunt as an existential condition rather than a plot: pursuit is not something you do, it is what living is, and the reward at the end is beside the point.

People must know that they're going to die, and yet they live as though they never will.
— Park Chang-yi (The Bad)

Context

Delivered with Lee Byung-hun's chilly detachment, the line establishes the Bad as a philosopher of violence rather than a simple thug.

Meaning

A killer's contempt for ordinary human denial — and, read against his own arc, a piece of unwitting self-diagnosis. Chang-yi lives as if his supremacy were permanent, which is its own version of the delusion he mocks.

They died like dogs. Died in vain. Actually, no one dies in vain. Only those left behind feel empty.
— Park Chang-yi (The Bad)

Context

A reflective beat amid the carnage, it foreshadows the personal history that ultimately matters more to him than any map.

Meaning

The most humane thought the film's villain ever has, and it is about survivors, not victims. It quietly tells us that Chang-yi's rage is grief-shaped — an emptiness left by something that happened long before the film began.

Explore More About This Movie

Dive deeper into specific aspects of the movie with our detailed analysis pages

Similar Movies